AbstractS

PAINTING PROJECT STARTED IN ASUNCIÓN, PARAGUAY IN 2000

"Boesmi tames color not to captivate it in the rigid scheme in some mimetic way, but to release it on the canvas as a meterioplastic entity that stimulates, through synesthesia, the fruiter. At the same time, the line delights in its strange way of managing and figuring time in terms of form" (...)

Carlos Sosa, 2009

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