To introduce the exhibition currently on display at the Matices gallery, Boesmi says that in her artistic work she explores “the hybrid, that which escapes a rigid definition. (My work) is based on the combination of materials that engage in a dialogue between the organic and the artificial, generating a tension that is not limited to contrasts, but seeks to find points of connection.”
Thus, in this exhibition he presents works in different formats, the star of the show being the sculpture of the “ Piano Bull ” which is 117 cm high by 130 long and 80 wide, which arrived in Asunción by plane from Madrid (Spain), the city where the artist resides.
“It is a unique piece, made of bioplastic and ceramic, coated with fiberglass, hand-painted and lacquered, which gives it a shine and a mirror effect,” said Boesmi.
The exhibition also includes a series of paintings made between 2023 and 2025, video art and the project “ Clandestine Curatorships ”, for which Boesmi walked the streets of downtown Asunción in search of graffiti to bring to life in neon.
“Through this work, I want people to look at the walls of downtown Asunción, to pay attention to their surroundings, because we're on our phones in the car and we don't see the situation the city is in. So, in my exhibition, my work, the neon, is displayed alongside a photo of the graffiti, so that the viewer knows that this comes from the street.”
Boesmi was born in Argentina, trained in Paraguay, and currently lives in Madrid, Spain. Regarding the exhibition, journalist and art critic Javier Díaz-Guardiola has said that the artist explores displacement and camouflage in his paintings, which range from figurative to abstract, always seeking " order in chaos " through the contrast of opposing elements (organic/artificial, complex/simple, light/shadow). He also explores displacement and experimentation with materials in his sculptures, such as the "Clandestine Curatorships" (neons that materialize ephemeral forms) and the " Piano Bulls ."
For the exhibition “ Order in Chaos, ” there is a special invitation to people with visual impairments, who, through Navi Lens codes, will be able to access the curatorial text and commentary, thus understanding and exploring the works. Inspired by a visually impaired person who visited his last exhibition in Paraguay, whose companion explained each piece to them verbally, Boesmi decided to make this exhibition inclusive.
